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I imagine this timing most likely developed throughout the Palladium age but I have not confirmed that. Eddie Torres started instructing and promoting this timing beginning in the 1980's, from what I understand. He was mentored by the late June Laberta, a ballroom dancing teacher, that helped him create his technique and timing.

The tale I'm continually told below, that still requires more investigation, is that as salsa started reaching brand-new audiences outside of the Caribbean and New York City, it was simpler and extra user-friendly to instruct social outsiders to dance On1 rather than On2. This story doesn't account for the truth that I have actually heard Rueda de Casino was originally danced a tiempo On3 in Cuba.

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Salsa On1 is simply among different salsa timings you can dance to and it is one of the most typical timing you'll discover worldwide today. Salsa On1 timing meaning: "On1" indicates you start dancing on the very first beat of bench of songs the 1. Your break steps (instructions changes) get on beats 1 and 5.

The exceptions I've located until now, where On2 is most typical, would be around New York and in South Korea (Salsa Dance San Francisco). I'm sure there are various other areas that dance mainly On2 but I have not danced in every country! If you're unsure what timing is most typical where you live, ask your neighborhood dance workshop

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When a person claims "I dance salsa On1" they possibly imply "I dance direct design salsa On1" (although you can dance any kind of style of salsa On1, people generally imply direct design). Don't fret if you have actually said these points before, it's all good we all have! The crucial thing is to keep in mind there's a distinction in between style and timing and grow your understanding so you can be more exact when talking about salsa with your friends.

It links perfectly with the phrasing in the music, especially the piano, and various other percussion tools like the cow bell and giro. Timing and design are two different points, so different the ideas when you chat about salsa with your pals. No matter what timing is most common in your region of the globe, remember you can go now practically dance any type of style of salsa to any kind of timing discover and appreciate! Desire a lot more? Look into this deep dive on the difference in between dancing salsa On1 vs On2 when dancing a tiempo.

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Although there is an initial mambo dance that originated from Cuba and afterwards spread out to Mexico and New York City in the 40s and 50s, these days when somebody says "I dance mambo" they mean salsa On2, which is different than the initial mambo dancing. The erratic free-from steps of the initial mambo were danced solo.



As the dancing started to spread out, On1 timing began to come to be preferred. Salsa On2 definition: "On2" means you start dancing on the first beat of the bar of music the 2.

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Historically those are the instruments that a boy cubano dancer attached with and that was passed on to mambo and salsa. A great deal of dancers appreciate dancing On2 for the diverse methods you can attach to the music. This is the original boy cubano and mambo timing. Son cubano is the music and dancing that preceded mambo and salsa.

It connects well to the clave, bass and conga - Bachata Dance San Francisco. Cha-cha is similar to dance On2 contratiempo however you add the triple action on 4 and 8. Although danced to the very same beats as On1, your break steps are currently on 2 and 6, which changes the feeling of the dance.

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This timing is practically identical to contratiempo On2 but the actions that are generally on 4 and 8 are on 4. It's nearly like a timing in between a tiempo and contratiempo.

5 instead of 5) you're dancing this syncopated timing. In truth it seems it's frequently danced as kind of a "error" for any person dancing the previous two timings.

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As discussed previously, this was the initial interpretation of dancing on clave (child clave), where the Puerto Ricans would align their front break with the 2-side of the clave rhythm while dancing On2 contratiempo. The concept is to line up as numerous steps of your standard as feasible with the strikes of the kid clave.

Things regarding music and dancing is that there is no right or wrong. There is just interpretation. You can dance on any kind of timing you such as! Naturally, individuals have found a means to dance on nearly every timing possible to son and salsa songs. People dance On3 for the same factor you dance On1 because it highlights the strong beats of 1-3-5-7.

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Let's consider the beats you dance On1 to: -2-, -6- (strong beats remain in bold) Allow's consider the beats you dance On3 to: -4-, -8- (strong beats remain in vibrant) Notice exactly how the solid beats are spaced exactly the exact same for On1 and On3? All you do is beginning stepping On3 rather than On1.

That's why dance On3 is so typical in Latin America. Individuals either Try to dance On1 however begin stepping On3 by accident and it exercises simply fine, or They do not understand much concerning timing and are just analyzing what they listen to in the songs, based on their experience growing up in a culture with salsa.

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